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Minoria
A Space Gallery, Venice
In parallel with the Venice Art Biennale 2026
Minoria exists between being and non-being.
Unforeseen by metaphysics, overlooked by logic, it can only be sensed by those who truly create.It is a space where the law of existence does not yet apply, where absence is not a lack but a silence before sound.
Here, everything carries the essence of a possible being — not yet fully formed, yet already felt.
Every creative act, every gesture, every trace arises from this field, remaining both part of it and its unique manifestation.
Minoria has no form, no permanent being.
Its existence cannot be proven.
Though its manifestation is everything, it itself remains beyond definition.
It is immaterial, yet present in every act of creation, in every trace it leaves upon space and consciousness.
Minoria does not submit to rules, forms, or expectations.
It is open, unfinished, and absolutely free.
Every presence, every act of creation, is a gesture of emergence from the space between — a call to what has not yet found its own weight.
In Minoria, art does not arise from completeness but from longing for form.
The artist does not create in the classical sense — they summon, they reveal, they open light within darkness.
Every creative act is a passage through Minoria — an entry into a place where nothing exists for certain, yet everything is possible.
Artworks appear, transform, and dissolve in dialogue with space, light, shadow, and perception.
They are not static objects, but acts of revelation and transformation.
As smoke is the sign of fire — so every appearance is a sign of process, not its cause.
It is the pulse of light that has not yet emerged from the darkness.
In the first tremor of awareness arises preperceptio, the zero point, the moment when space begins to vibrate.
From that pulse emerges seismos, the subtle quake — the first breath of possible being.
From the penumbra unfolds adumbratio, the active shadow that shapes the contours of potentiality and directs the light toward form.
Gradually, lumen absconditum begins to glow — a hidden light, illuminating the inner space, revealing the memory of presence.
Within this rhythm appears texis — the weaving, the intertwining of presences — a tension between light and shadow that generates structure and movement.
And all unfolds within metaxia, the field between, where motion, shadow, and light coexist in eternal flux.
Minoria will manifest itself within A Space in Venice, a city between water and history, a place that is its true home.
Venice — the city of canals and shimmering reflections, breathing light upon water — is itself a space-between, where time seems to pause, and past, present, and possible beings intertwine in continuous motion.
Here, Minoria resonates and weaves its luminous paths, allowing every presence to appear in its full subtlety and freedom.
Either you will feel it, or you won’t.
Either you let it resonate, or it will fade.
Minoria does not ask.
Minoria does not wait.
Minoria simply is.
Each of its appearances is a luminous spiral of emergence.
Every breath, every shadow, every glimmer — is Minoria in motion.
You cannot hold it. You cannot confine it. It always flows.
Curatorial review submission
Welcome to the
MINORIA space
MINORIA unfolds as an evolving curatorial programme throughout the Biennale season.
Artists whose practices resonate with its exploration of emergence and transformation may be invited to contribute to individual chapters.
While the programme develops through curatorial dialogue, the gallery remains open to conversations with artists whose work engages with questions of form, process and becoming.
If you feel a strong affinity with the spirit of MINORIA, you are welcome to introduce your practice to the gallery.
Artists wishing to introduce their practice to the curatorial team may do so through the proposal submission form.
Participation Framework
Project: MINORIA
Location: A Space Gallery, Venice
Duration: May 4 – November 30, 2026
1. Eligibility
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MINORIA welcomes visual artists, architects, researchers, and creators working across a wide range of media, including installation, sound, text, and conceptual practices.
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Submissions are open internationally. There are no restrictions regarding age or nationality.
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Artists are invited to present original work that resonates conceptually or poetically with the curatorial framework of MINORIA.
2. Proposal Submission
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Artists wishing to introduce their practice to the curatorial team may do so through the
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To ensure thoughtful consideration of each proposal, a review fee of €100 applies to all submissions. The fee is non-refundable.
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All proposals are reviewed by the curatorial team with regard to artistic quality and coherence with the conceptual framework of the project.
3. Participation Conditions
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Presentations within the gallery take place as part of the MINORIA curatorial framework, while preserving the independence and identity of each participating artist.
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Participation fees contribute to the organisational and production costs associated with the programme. Additional curatorial and operational support is provided by A Space Gallery as part of its ongoing commitment to the project.
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Participation formats may include:
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• solo presentations
• short-term project exhibitions
• group chapters within the programme
• thematic competitions or special curatorial calls -
Detailed participation options, durations and associated costs are outlined in the Participation Fee Schedule.
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➡ View Participation Fee Schedule
4. Sales & Representation
Artworks presented within the MINORIA programme may be offered for sale during exhibitions, competitions or other curatorial presentations.
A 40% gallery commission applies to sales facilitated by the gallery.
When artists conduct independent sales during solo presentations, no gallery commission applies.
5. Technical & Logistical Responsibilities
Participating artists are responsible for the transport, packaging and insurance of their artworks. Unless additional arrangements are made, artists are also responsible for the installation and de-installation of their works.
The gallery provides:
• approximately 40 m² of exhibition space with storefront visibility
• basic lighting and electricity
Additional technical or organisational support may be arranged individually upon request.
6. Timeline & Payment
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Selected participants will receive a participation agreement outlining the conditions and payment details.
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To confirm participation, a 30% deposit is required upon signing the agreement.
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The remaining balance must be settled no later than 14 days before the start of the exhibition
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In the event of cancellation after confirmation, the deposit is non-refundable.
7. Insurance & Liability
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The gallery holds civil liability insurance for the exhibition space but is not responsible for loss or damage to artworks.
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Artists are therefore strongly advised to arrange their own insurance coverage
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By participating in the programme, artists grant the gallery the right to photograph and document the exhibition and to use these materials for promotional, editorial, and archival purposes.
8. Special Note on Curatorial Coherence
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All participants are encouraged to refer to the central theme of MINORIA, whether through concept, material, or symbolic gesture.
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We believe in openness and poetic interpretation. Even the simplest artistic statement can enrich the shared reflection on what it means to redefine home, space, and belonging.
Ways to Participate
Explore how you can become part of the HOMANITY project.
▶️ Solo Show (5–30 days) Present your work as an independent exhibition within the curatorial framework of MINORIA, a project accompanying the Art Biennale 2026 in Venice. 📍 Location: A Space Gallery, Venice 📝 Application fee: €100 (non-refundable) 💶 Participation costs (partial contribution): The following rates represent approximately 50% of the total production cost. The remaining part is covered by the organizer. 5 days: €1500 7 days: €2000 14 days: €3000 30 days: €5000 🎨 Optional: Organizational assistance & vernissage support – €1000 🔍 Selection Criteria All solo exhibitions are selected based on a careful curatorial evaluation of the artistic quality and relevance to the themes of MINORIA. We aim to ensure that each presentation resonates with the spirit of the project, while also maintaining the artist’s full creative autonomy. ⚠️ Important: Due to limited availability, applications will be reviewed in order of submission. We recommend applying early to secure a preferred timeframe.
▶️ Group Exhibition (1–3 works) Participate in a curated group show as part of the MINORIA project during the Art Biennale 2026. 📍 Location: A Space Gallery, Venice 📝 Application fee: €100 (non-refundable) 💶 Participation fee (per work): 1 work: €300 2 works: €600 3 works: €900 🎨 The fee includes exhibition space, curatorial guidance, coordination of installation, and presence in gallery materials. 🔍 Selection Criteria Each work will be selected based on artistic quality and coherence with the MINORIA themes. Group exhibitions are designed to showcase diverse voices and highlight important perspectives on the notion of home, belonging, and transformation. ⚠️ Important: Limited number of works will be accepted. First come, first reviewed. Early submission is highly recommended.
▶️ Text / Installation / Object Contribution Contribute your idea, reflection, or small installation as part of the evolving exhibition. 📍 Displayed as part of the central installation or narrative wall. 💶 Cost: €150 📝 Application fee: €100 This format is ideal for writers, poets, theorists, or conceptual artists.
▶️ Research / Collaboration Are you an architect, theorist, urbanist, philosopher, or activist? Join the project through temporary residence, lecture, or collaborative event. 💶 Custom offer based on scope and duration. 📝 Application fee: €100 Let us know your idea and how it relates to MINORIA.
Frequently Asked Questions
Who can apply to MINORIA? Artists, architects, designers, researchers, and thinkers from all over the world are welcome. There are no age or nationality restrictions.
Can I apply with a collective or team? Yes. Collaborative projects and collectives are welcome. Please mention this clearly in your application form.
Do I need to be present during my exhibition? It is not mandatory. However, your presence is encouraged, especially for opening events. Organizational support can be provided for an extra fee.
Is there a curatorial selection process? Yes. All proposals are reviewed based on artistic quality and relevance to the theme of MINORIA. In the case of high interest, selection will also depend on the order of submissions.
What does the €100 application fee cover? It covers administrative and curatorial review costs. This fee is non-refundable.
Why is there a participation fee for exhibitions? The participation fee is a partial contribution to the real costs of organizing the exhibition – covering gallery space, curatorial support, logistics, administration, and the creation of a professional setting during the Venice Architecture Biennale. This model enables access for independent artists without relying on commercial gallery representation. Every submission is evaluated based on artistic merit and relevance to the HOMANITY concept. Payment does not guarantee selection.
Can I sell artworks during the exhibition? Yes. If the artist handles the sale independently, no commission is taken by the gallery. However, if the gallery facilitates or finalizes the sale on behalf of the artist (e.g. during collective exhibitions or through direct inquiry), a 40% commission will apply to cover the cost of promotion, presentation, and mediation. This helps support the sustainability of the project.
Are the artworks insured? Artists are responsible for insuring their own artworks during transportation, exhibition, and storage. While we do our best to provide a secure environment, MINORIA does not assume responsibility for any damage, theft, or loss. We recommend arranging individual or group insurance policies for the duration of the exhibition.
If I apply and get accepted, can I choose the exact exhibition dates? Yes – accepted artists will be invited to choose from available dates, within the timeframe of the project. We recommend applying early, as available slots are filled on a first-come, first-served basis.
Who installs the exhibition? Artists are responsible for installing and dismantling their exhibitions. The gallery provides technical guidance and, upon request, can offer installation support for an additional fee. In collective exhibitions, the gallery curates and arranges the works with respect to the overall narrative.
